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  <channel rdf:about="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6386">
    <title>DSpace Collection:</title>
    <link>https://ir.vidyasagar.ac.in/jspui/handle/123456789/6386</link>
    <description />
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        <rdf:li rdf:resource="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6421" />
        <rdf:li rdf:resource="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6420" />
        <rdf:li rdf:resource="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6419" />
        <rdf:li rdf:resource="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6418" />
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    <dc:date>2026-04-26T14:54:40Z</dc:date>
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  <item rdf:about="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6421">
    <title>Unwinding Self. A Collections of Poems by Susheel Kumar Sharma</title>
    <link>https://ir.vidyasagar.ac.in/jspui/handle/123456789/6421</link>
    <description>Title: Unwinding Self. A Collections of Poems by Susheel Kumar Sharma
Authors: Ghosh, Joyjit
Description: Book Review</description>
    <dc:date>2022-02-27T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6420">
    <title>Patient Dignity: Poems by Bashabi Fraser, Paintings by Vibha Pankaj</title>
    <link>https://ir.vidyasagar.ac.in/jspui/handle/123456789/6420</link>
    <description>Title: Patient Dignity: Poems by Bashabi Fraser, Paintings by Vibha Pankaj
Authors: Das, Jolly
Description: Book Review</description>
    <dc:date>2022-02-27T00:00:00Z</dc:date>
  </item>
  <item rdf:about="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6419">
    <title>“Real Isn’t How You Are Made”: Reconstructing the Real in The Velveteen Rabbit</title>
    <link>https://ir.vidyasagar.ac.in/jspui/handle/123456789/6419</link>
    <description>Title: “Real Isn’t How You Are Made”: Reconstructing the Real in The Velveteen Rabbit
Authors: Lalhmangaihi, Z. D.
Abstract: The paper develops an interpretation of Postmodern reality in The Velveteen Rabbit (1922)&#xD;
authored by Margery Williams Bianco. Reality is handled in the text as the most contested &#xD;
and subjective term that is based on how the receiver perceives and interprets,&#xD;
subsequently disavowing a monolithic view of reality. A vast dimension of reality &#xD;
adhering to the emotions of the characters that complicates the conventional understanding &#xD;
of reality shall be taken into account. The sensory perceptions of the characters create and &#xD;
transmit a sense of reality which is validated when love affirms itself as possessing a &#xD;
transformative effect on the characters. Without exploiting the thematic concern and &#xD;
relevance of the book, the paper attempts to problematize the fabric that constitutes reality. &#xD;
What lies crucial in the narrative is the manner in which fantasy functions as an apparatus &#xD;
that elides the boundaries and slippage between the real and the unreal. Additionally, &#xD;
fantasy functions as an alternate form of reality that manifests what lies beyond the &#xD;
apparent. The Baudrillardian notion of Simulacrum shall be put in place in order to &#xD;
question the presence of the real without definite and coherent origin of reality. The &#xD;
Posthumanist stance that surrounds the narrative breaks down the binary of human/non human category while showcasing that non-human constitutes our very embodiment of &#xD;
being.</description>
    <dc:date>2022-02-27T00:00:00Z</dc:date>
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  <item rdf:about="https://ir.vidyasagar.ac.in/jspui/handle/123456789/6418">
    <title>From Political Obligation to Social Emancipation: A Reading of Imtiaz Ali’s Anarkali</title>
    <link>https://ir.vidyasagar.ac.in/jspui/handle/123456789/6418</link>
    <description>Title: From Political Obligation to Social Emancipation: A Reading of Imtiaz Ali’s Anarkali
Authors: Singh, Vivek
Abstract: The paper aims to examine the issues related to the obligation that can lead to conflicts. &#xD;
All of us are duty-bound to follow social norms, adhere to promises and obey laws, which&#xD;
are also the prerequisites to justice. However, people also have grounds to not believe in&#xD;
the ‘rightness’ of the rules. The famous Urdu historical drama Anarkali (1922) by Syed &#xD;
Imtiaz Ali Taj, later translated in English by Zulfiqar Ali, contradicts the popular notion of &#xD;
justice. Voices imbued within the play defy the political ‘laws’ and plead for reordering &#xD;
the normative social structure. The play also interrogates repressive colonial ideology &#xD;
engaging with fear and amnesia of people who surrender their agency in the name of &#xD;
Order and Laws. The play deals with authority, power, anarchy, and universalizing notion &#xD;
of justice. The key questions that the paper seeks to address are: a) On what grounds does&#xD;
this justice rest? b) Why is political obligation necessitated, and how does it clash with&#xD;
individuals’ notion of liberty? c) How can we navigate the individual will with the power &#xD;
of authority? Further, the paper also attempts to explore and explain some of the &#xD;
peculiarities of how social democracy was conceived.</description>
    <dc:date>2022-02-27T00:00:00Z</dc:date>
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